Future IGRC Events

Future IGRC Events

  • The Guitar in Popular Music Conference 2026

    The Guitar in Popular Music conference (8–10 July 2026) will be co-hosted by Canterbury Christ Church University and the Academy of Contemporary Music, in collaboration with the International Guitar Research Centre (University of Surrey). Deadlines for Proposals: March 31 2026.

    Call for proposals

    Proposals are invited for presentations as follows: 

    • Individual papers – 25 minutes plus 10 minutes for questions
    • Individual papers which include live performance elements – 25 minutes plus 10 minutes for questions
    • Lecture recital – 35 minutes plus 10 minutes for questions

    Papers and presentations can focus on any aspect relevant to the conference’s overarching theme: the guitar’s role and use in popular music (including jazz). Any type of guitar (e.g. acoustic, electric, bass, hybrid etc) may be considered, as can any (or any combination of) the following perspectives: historical, contextual, analytical, pedagogical, technological, compositional or performance-based. 

    In recognition of the fact that 2026 marks 60 years since Jimi Hendrix’s first performance in the UK we especially welcome papers that discuss Hendrix’s legacy and contribution as a guitarist, or lecture recitals that focus on reinterpretations and arrangements of Hendrix’s work.

    We are particularly interested in papers which relate to the following themes: 

    • Guitar Creativity and Technique
    • Guitar Soloing and Tonal Improvisation
    • Guitar as Rhythm and Texture
    • Guitar Design and Technology
    • Guitar Culture
    • Case Studies of the Guitar Technique of Established Players in Popular Music

    Please send proposals and enquiries to guitarconference@canterbury.ac.uk, as a Word document, with the following information:

    • Your name
    • Institution (as appropriate)
    • Postal address
    • Phone
    • Email Address
    • Presentation type (paper or paper including live performance demonstrations)
    • Title
    • Abstract: up to 300 words and biography up to 100 words.
    • Website link about you and your work (if you have one)
    • Individual papers which include live performance elements, and Lecture Recitals should also include a sample recording or video (e.g. via YouTube/SoundCloud)

    Acceptance of proposals will be at the discretion of the Conference Panel (see below). 

    Key dates

    The conference will be held at Canterbury Christ Church University on Wednesday 8 and Thursday 9 July and at the Academy of Contemporary Music (London campus) on Friday 10 July. All papers will be presented in person.

    The deadline for submissions is Tuesday 31 March 2026.

    Booking will open, and a draft conference programme will be published in mid-April 2026, following the selection of papers.

    Keynote speaker

    We are delighted that Professor Milton Mermikides (Professor of Music at the University of Surrey and Gresham Professor or Music) will be presenting the keynote lecture at Canterbury Christ Church University, entitled I Just Want to Talk to You: The Musical Language of Jimi Hendrix.

    This keynote paper illuminates the psychological, neurological, linguistic and zygonic mechanisms that help shape Jimi Hendrix’s extraordinary musical language. These ‘axes of expression’ include vocal imitation, fretboard navigation, time-feel and groove, harmony and modality, and technological transformation. It argues that Hendrix’s music persistently challenges the conventional separation and discrete categorisation of pitch, rhythm, and timbre. And that musical expression – as well as effective musical analysis – emerges from the dynamic, liminal interplay between these domains. 

    Conference Panel

    Dr James Dean (Chair, Canterbury Christ Church University)

    Professor Rich Perks (Deputy Chair, Academy of Contemporary Music)

    Professor Milton Mermikides (University of Surrey/Gresham College)

    Professor Murray Smith (University of Kent)

    Dr Kate Lewis (Brunel University London) 

    Enquiries

    For all enquiries, please email guitarconference@canterbury.ac.uk

    https://www.canterbury.ac.uk/events/2026/the-guitar-in-popular-music

  • IGRC 2026 Surrey Conference Schedule and Registration

    We are delighted to announce our schedule for the FREE IGRC Conference 28th and 29th March 2026 A two-day conference at the University of Surrey, bringing the guitar community together to share research about the guitar. Conference venue – PATS Studio One, University of Surrey, Guildford, Surrey, UK, GU2 7XH

    REGISTER HERE to attend.

    A schedule, a list of abstracts, catering details, and a campus map are below.

    SCHEDULE

    Saturday 28th March 
    9.30Prof Steve GossWelcome
    10.00Dr Francesco Braggio IGRC University of SurreyCadence and Phrase Function: Rethinking period structure in early 19th-Century guitar music
    10.30Dr Marco Ramelli and Enrica Savigni
    TU Dublin Conservatoire
    A Tempo Rubato: A discussion of nineteenth-century performance practices 
    11.00Dr Sam Muir and Dr David Roche IGRC and University of CambridgeMore Than Four Chords: Writing new music for ukulele and large ensemble
     11.30Break 
    12.00Emmanuel Sowicz University of OxfordThe Anxiety of Derangement: Sor, fidelity, and flexibility in arranging for the classical guitar
    12.30Dr Sasha Savaloni GSMD and RCSSchubert Lieder Transcription: Idiomatic approach in the transcriptions of Franz Liszt and Johann Kaspar Mertz
    13.00Stefano Moccetti IGRC The Creative Guitarist: co-shaping music from sound to structure
     13.30Lunch
    14.30Steven Watson IGRCPulp Friction: discussions and controversies surrounding no-nail technique 
    15.00Elisabeth Pfeiffer IGRCIdiomatic Ukulele Plucking-Hand Techniques in Contemporary Practice 
    15.30Dr Matt Curran and Prof Frank Lyons Ulster UniversityDeveloping an Integrated Guitar Technique System (IGTS) for the Right Hand Through Practice-Based Research 
     16.00Break 
     16.30 Keynote: Prof. Jonathan Leathwood University of Denver  Zooming In and Zooming Out: Harmony and Structural Levels in the Guitar Repertoire
     17.15 Keynote: Prof. Milton Mermikides IGRC and Gresham Professor of Music  Something in the Way: A multi-modal case study of Nirvana
     18.00Break 
      19.30    Duo Andrews-Correa    Concert and album launch
     Sunday 29th March 
    10.00Dr Katalin Koltai IGRC and RAMRe-Creating Illusion: Collaborating with Hans Abrahamsen on a New Work for Guitar
    10.30Tim Beattie IGRCPosthumous Collaboration and Performer Agency in Twentieth-Century Guitar Repertoire
    11.00Dr Ataman Kinis IGRC and ARUCAD(Arkin University of Creative Arts and Design)Instrument in Between: An exploration of the fretless electric guitar within the electroacoustic composition environment 
     11.30 Break 
    12.00Dr Sam Cave Brunel UniversityMichael Finnissy and Felix Namque 
    12.30Vitor Noah Moraes Sandes IGRCR. Marino Arcaro’s Guitar Works: A collaborator’s point of view 
    13.00Giacomo Copiello IGRC New Music for the 8-string Brahms Guitar: Instrumental identity & new solo repertoire
     13.30Lunch 
    14.30James Akers Independent ScholarFantasie Romantique: The guitar in Eastern Europe in the 19th century 
    15.00Nicola Pignatiello Università degli Studi di Roma Tor VergataSo, You Want to Fake a Fugue? Partimento Imitato and ‘Fugues’ of Giuliani and Diabelli 
    15.30Johan Löfving University of YorkPlaying with History: Primary sources with practical implications 
     16.00Break 
    16.30David Harvey Independent ScholarWhen Sibelius Meets Six Strings: Engraving principles and practical challenges in guitar notation
    17.00Beatriz Oliveira University of AveiroThe guitar in Portugal in the Late Nineteenth and Early Twentieth Centuries: An archival study
    17.30Gerard Cousins Independent Scholar Back to First Principles and perhaps a Half Step Beyond: Scordatura as an interpretative tool in classical guitar repertoire
     18.00Break 
     18.30 Keynote 3: Prof. Richard Savino
    San Francisco Conservatory 
     PXATPedro Ximénz Abrill y Tirado (1784 – 1856): Maestro of the Americas

    ABSTRACTS

    Catering

    Hillside Coffee

    10am-3pm Saturday and Sunday

    https://my.surrey.ac.uk/campus-life/food-drink-and-nightlife/hillside-coffee-shop

    The café in GSA, Stageside, will also be open on Saturday morning

    https://my.surrey.ac.uk/campus-life/food-drink-and-nightlife/stageside-coffee

    The Co-op supermarket

    10am to 6pm Saturday

    10am to 4pm Sunday

    https://my.surrey.ac.uk/campus-life/food-drink-and-nightlife/co-op

    Lower Foyer bar

    A bar will be available in the lower foyer if PATS from 6.00pm to 7.30pm on Saturday and in the interval of the concert too.

    Lord Falafel will be open upstairs in the Students Union

    https://www.lordfalafel.co.uk/guildford/

    Campus Map

    https://www.surrey.ac.uk/sites/default/files/2025-08/campus-map.pdf

    CALL FOR PAPERS

    Proposals are invited for presentations as follows:

    • Individual papers 20 minutes plus 10 minutes for questions
    • Lecture-recitals 35 minutes plus 10 minutes for questions

    Please send proposals to s.goss@surrey.ac.uk in the following format:

    • abstract up to 250 words and biography up to 100 words. Please also provide a website link about you and your work if you have one.

    The deadline for submissions is Monday 5th January 2026. Applicants will be notified of the outcome by Monday 19th January 2026.

    Conference Panel:

    • Professor Steve Goss – Director of the IGRC, University of Surrey, UK
    • Professor Milton Mermikides – Deputy Director of the IGRC, University of Surrey
    • Dr John McGrath – Deputy Director of the IGRC, University of Surrey

    Acceptance of proposals will be at the discretion of the conference panel. Please provide your abstracts as a WORD document, preceded by information under the following headings:

    • Name
    • Institution (as appropriate)
    • Postal address
    • Phone
    • Email Address
    • Title

    All papers will be presented in person and in English. The conference is free to attend and take part in. Concerts and Keynote lectures will be announced in due course.

    Enquiries: s.goss@surrey.ac.uk